Since soullessness is the essence of Patrick Bateman, the antihero of Bret Easton Ellis’s notoriously savage fantasia on ’80s greed, “American Psycho,” you could argue that an all-style-and-no-substance musical version might possibly be appropriate. And helmer Rupert Goold and his design team certainly capture the high-veneer ’80s style that Bateman so worships. But beneath the […]![]()
